Shohei Sato’s devotion to the pirate manga “One Piece” culminated in a wedding themed on the series, and he’s not the only superfan obsessed with its intricate plots and swashbuckling characters.
The Japanese comic-book saga began 25 years ago and is one of the biggest-selling mangas of all time, with more than 500 million copies sold globally.
It follows straw hat-wearing Monkey D. Luffy and his team as they hunt for treasure, and has grown into a sprawling cultural franchise, now riding even greater waves of popularity thanks to a new hit film and an upcoming live-action Netflix series.
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Since childhood, 29-year-old Sato estimates he has spent “well over 10 million yen ($67, 000 at current rates), if not 20 million” amassing merchandise and crisscrossing Japan to attend “One Piece” events.
So, the office worker’s friends weren’t surprised when he and his bride Junna had a pirate-ship cake at their wedding in July and posed for photos beside a giant poster of Luffy and his gang in formal attire.
“They told me, ‘Shohei, it was so you, ’” Sato told AFP at his home in Tokyo, where plush toys of the reindeer-like character Chopper sit next to bookshelves packed with “One Piece” volumes.
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The latest movie in the franchise, “One Piece Film: Red, ” was released in August and is already Japan’s highest-grossing film this year.
The film has also been a hit abroad, especially in France, while fans came out in costume for a huge Times Square ad campaign ahead of the U.S. release in November.
Inspiring dialogue, clever foreshadowing and relatable characters (author Eiichiro Oda is said to shed tears as he draws them crying) are often cited by “One Piece” superfans as the reason for their infatuation.
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The manga’s plots are so intricate that publisher Shueisha holds a yearly quiz in which tens of thousands of fans compete to become its “knowledge king.”
Every night, after tucking his son into bed, the 32-year-old reads “One Piece” in his study, which is decorated with illustrations from the series.
Even the walls of Arimo’s toilet are plastered with pages from the manga, and the geography-lover has crafted his own globe to map the islands and oceans explored by Luffy.
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“The ‘One Piece’ world is so meticulously thought-out, I sometimes feel like there’s truly an alternative universe like this somewhere, ” Arimo said.
Natsumi Takezawa, 34, said she had “forgotten ‘One Piece’ is supposed to be a boy’s manga, ” because it “strikes a chord with all generations.”
She works part-time and reads “One Piece” for a little relaxation after picking up her five-year-old daughter from nursery, making dinner, bathing and playing with her, before finally putting her to bed.
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“I might be too exhausted by chores to do anything but sleep. That’s all my life could’ve been about. ‘One Piece’ is my energy.”
Seeing the bawling Luffy realise “I still have my friends” after the death of his brother resonated deeply after she lost a close friend this year.
“What kind of experience does a person have to go through to be able to draw such a powerful scene?” she said.
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Oda said in 2019 that he wants to wrap up the story “within five years, ” technically leaving little time until its conclusion.
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Series isn't perfect by any means, despite its legendary reputation. More than a few supporters have taken issue with certain aspects of the series. These range from overused body types to a lack of meaningful tension.
Toei Animation is rather infamous for its pacing issues. The above video is a perfect example of this problem. It compares the original anime with a fan edited version. The former often pads out time by overusing reaction shots and flashbacks, while the latter doesn't.
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Has been around for a very long time. It's easy to understand why some fans would lose patience with certain arcs, such as Dressrosa and Wano Country. Both of them are currently over a hundred chapters.
Sometimes there are simply too many characters to juggle around with, such as the colosseum gladiators or the samurai retainers. This results in fans having to wait a long time before the spotlight is put back on their favorite characters.
For some western fans, this can be a very overused trope. Watching someone like Sanji hit on women can be rather creepy at times.
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What's even worse is when there is a noticeable age gap between them. One example is Fishman Island, where the 21-year-old Sanji tried to make a move on 16-year-old Shirahoshi. Either way, these moments can be very uncomfortable to watch in
Has a very large roster of characters. Inevitably, some of them have to be put on the wayside. A prominent example is Akainu versus Aokiji, where viewers only see a mere glimpse of their fight.
Of course, the series can't focus on every single character. However, this can result in fans having a lower opinion of certain fights, such as Smoothie in Whole Cake Island or Jack in Wano Country. They lacked impressive showings because they rarely get much screen time.
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Timeskip, most characters relied on the creative usage of their Devil Fruits. It was a power system that gave fighters special abilities, such as turning into rubber or becoming sand itself. Luffy versus Crocodile in Alabasta is a perfect example of why this works.
However, right after the timeskip, the series decided to focus more on Haki, which is basically a combination of will power and hand-to-hand combat. Sadly, this power system has greatly simplified combat after the timeskip. If a character doesn't use it, then it puts them at a severe disadvantage.
Fandom, it's not uncommon to find very toxic segments. Most of it revolves around disagreements with characters arcs, power levels, and the overall story. It gets particularly bad whenever strong characters lose a fight, such as Katakuri against Luffy.
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Series is known for their varied body types. However, certain female designs tend to be overused. Characters that are meant to be attractive usually have the same hourglass body figure.
This results in extremely thin waist lines and a large bust size. Sometimes it can approach uncanny valley, which is the opposite of what Oda intends. More often than not, there is very little variation with beautiful female characters. Some
. Powerscaling can be a fun way to measure a character's relative strength. However, these discussions are plagued by mere speculation, blatant favoritism, and a complete disregard for logic.
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One example is the Yonko versus Admiral debate, which is painfully common in these conversations. It's fair to say that Yonkos are slightly more powerful than Admirals, based on current feats alone. Unfortunately, that hasn't stopped certain fans from downplaying the Admirals.
Characters like Fujitora are consistently disrespected for various reasons, such as not taking out Doflamingo in the Dressrosa arc. That ignores the fact that it wasn't his job to do so. Such assumptions are typically made without seeing the Admirals in a serious fight, which has yet to happen on-screen.
Zoro and Sanji have a very competitive rivalry with each other. Unfortunately, some fans take it way too seriously, resulting in toxic discourse. Without a doubt, they are the
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It's very common for Zoro and Sanji fans to insult each other, simply because they prefer one character over the other. These
It seems like Oda refuses to kill off specific characters, even if their deaths would have a meaningful impact. The most infamous example is Pell from the Alabasta saga, who somehow managed to withstand a huge explosion.
Another example is Pound from Whole Cake Island, whose survival was revealed in a cover story for the manga. Moments like this are problematic, since it takes away tension from serious moments. If minor characters like Pell and Pound can hold out, so will the major characters.
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There are a few notable exceptions, such as Ace and Whitebeard in the Marineford arc, or Pedro in Whole Cake Island. However, these are very rare occurrences within theShohei Sato's devotion to the pirate manga One Piece culminated in a wedding themed on the series, and he's not the only superfan obsessed with its intricate plots and swashbuckling characters.
The Japanese comic-book saga began 25 years ago and is one of the biggest-selling mangas of all time, with more than 500 million copies sold globally.
It
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